RCA
RECORDS
RCA Victor was responsible for the development of the 45rpm vinyl record,
in 1948; for which alone it deserves several hearty cheers. The
roots of the company lie in the formation of the Consolidated Talking Machine
Company, of Philadelphia, Pa., by Eldridge R. Johnson. To begin with,
Johnson issued records on his 'Improved Gram-O-Phone Record'
label. After a court battle with a rival, from which he emerged
successful, he incorporated the company as 'Victor'; this was in
1901. He joined forces with Emile Berliner, and in 1902 their new
Victor label acquired its now-famous 'His Master's Voice' trademark - the one
with the dog looking down the horn of one of Berliner's
gramophones. Victor gained a reputation for quality, both of the
music which it recorded and the way in which it recorded it. The
company was sold to bankers Seligman & Speyer in 1926; in 1929 it was sold
again, this time to the Radio Corporation of America. In Britain in 1931, RCA's
British branch, the Gramophone Company (HMV), merged with Parlophone and
Columbia to form Electrical and Musical Industries. RCA sold its
shares in the new company in 1935, but its products continued to appear on the
HMV label over here until 1957, when RCA launched its own label. RCA
Victor moved to Decca in the '60s before setting up its own distribution
network, and adopting its familiar orange label in 1967 - the printing in the
centre was only done on a handful of labels. Pressing was done by CBS
until the spring of 1975, when RCA started pressing its own records, there is a
difference in size between the dinking perforations of the two companies, CBSes
being wider. The orange label remained, occasionally in
injection-moulded form until the summer of 1979, when it was replaced by a
silver-on-black design which no longer had the word 'Victor' on
it. RCA flourished in the '70s, with the likes of Elvis Presley and
David Bowie shifting records by the ton; it played its part in the Glam Rock
saga, with Sweet repeatedly hitting the Top 10, and registered a number of
one-off hits during the Disco boom. It also had some of the big names
in the Country & Western and Easy listening fields on its books - Dolly
Parton, Perry Como, etc. The company handled a number of other
labels, including Soul Train, Solar, Windsong, Grunt and New York
International. it also had a dedicated Classical label, RCA Red Seal.
and, from 1968-69, a label for Children's records, RCA
Bluebird. Twice in the '70s RCA issued EPs of million-selling tracks
from their back-catalogue under the 'MaxiMillion' banner; these had a special
label and sleeve. The sleeves from 1971 and 1975 had different
designs. Late in the decade - or possibly in the early '80s -
promotional singles had a special sleeve. RCA's numerical system seems to have
been something of a mish-mosh: after decades of a straightforward RCA-1000
series, things started getting complicated at the start of 1974. The
main series was joined by two others: APB0-0000 and LPB0-5000 - the prefixes are
explained in the note below. The APB0s lasted for just over a year
and were dedicated to music that originated in America; the LPB0-5000s, which
featured music originating in Great Britain, expired after a mere six months or
so. The situation was complicated by the existence of an even
shorter-lived LPB0-7500 series, which seems to have consisted of records by
American artists - were they recorded over here? Happily RCA's
experiment with descriptive prefixes didn't last long, and by the middle of 1975
the main RCA-1000 series, which had continued alongside the APB0s and LPB0s,
took over from them both and became the only series for singles.
This state of affairs continued until January 1977, when the RCA-1000s were
replaced by three parallel PB series: PB-0000 (mainly American), PB-5000 (mainly
British), and PB-9000 (again mainly American). Was one set of
American numbers for home-made product and the other for licensed
material? Be that as it may, there were several minor variations on
the PB theme. 1978 saw the appearance of an occasional XB prefix,
which was mainly used by records on the TK label. In 1980 the PBs
disappeared and the RCA prefix made a comeback, with numbers starting at
RCA-1. RCA issued hundreds of singles in the '70s; RCA Victor is
still in operation today, as part of BMG. Thanks to Robert Lyons for the
info.





A FULL DISCOGRAPHY OF RCA RCA 1000
SERIES 1957-1970 CAN BE FOUND HERE

A FULL DISCOGRAPHY OF RCA RCX 100 EP
SERIES 1957-1962 CAN BE FOUND HERE

A FULL DISCOGRAPHY OF RCA RCX
1000 EP SERIES 1958-1961 CAN BE FOUND HERE

A FULL DISCOGRAPHY OF RCA RCX
7100 EP SERIES 1962-1965 CAN BE FOUND HERE

59 |
Jerome
Hines |
The Holy City |
RCA |
RSX |
15001 |
58 |
Bill Carle |
Bill Carle - Gospel
Singer |
RCA |
RSX |
15002 |
59 |
Various
Artists |
Best Love Secred
Songs |
RCA |
RSX |
15003 |
59 |
The Robert Shaw
Chorale |
Sing To The
Lord |
RCA |
RSX |
15004 |
59 |
George Beverly
Shea |
George Beverly
Shea |
RCA |
RSX |
15005 |
59 |
George Beverly
Shea |
The Love Of
God |
RCA |
RSX |
15006 |

58 |
Band Of The Coldstream Guards |
National Emblem |
RCA |
SRC |
7001 |
58 |
Boston Pops
Orchestra |
Boston Tea Party |
RCA |
SRC |
7002 |
58 |
Not Traced |
|
RCA |
SRC |
7003 |
58 |
Perez Prado Prez |
Living Stereo |
RCA |
SRC |
7004 |
58 |
Not Traced |
|
RCA |
SRC |
7005 |
58 |
Not Traced |
|
RCA |
SRC |
7006 |
58 |
Abbe Lane |
Be Mine
Tonight |
RCA |
SRC |
7007 |
58 |
Perro Como |
We Get
Postcards |
RCA |
SRC |
7008 |
58 |
Eartha Kitt With Shorty Rogers
And His Orchestra |
St. Louis
Blues |
RCA |
SRC |
7009 |
58 |
Harry
Belafonte |
Belafonte Sings The
Blues |
RCA |
SRC |
7010 |
58 |
Ray
Martin |
The Swingin' Marchin' Band |
RCA |
SRC |
7011 |
58 |
Not Traced |
|
RCA |
SRC |
7012 |
58 |
Bing Crosby & Rosemary Clooney |
Going Places |
RCA |
SRC |
7013 |
58 |
Perro Como |
Evening
Reverie |
RCA |
SRC |
7014 |
58 |
Eartha Kitt |
That Blue
Eartha |
RCA |
SRC |
7015 |
58 |
Various
Artists |
Soundtrack Highlights From South Pacific |
RCA |
SRC |
7016 |
58 |
London Symphony Orchestra
Conducted By Arthur Bliss |
Pomp And Circumstance March No.1
In D Major |
RCA |
SRC |
7017 |
58 |
Gibson |
Witches Brew |
RCA |
SRC |
7018 |
58 |
Not Traced |
|
RCA |
SRC |
7019 |
58 |
Not Traced |
|
RCA |
SRC |
7020 |
58 |
Not Traced |
|
RCA |
SRC |
7021 |
58 |
The Black Watch (Royal Highland
Regiment) |
Highland
Pageantry |
RCA |
SRC |
7022 |
58 |
Esquivel And His
Orchestra |
Other Worlds Other
Sounds |
RCA |
SRC |
7023 |
58 |
(Band Of) Coldstream Guards |
Band Coldstream Guards
2 |
RCA |
SRC |
7024 |
59 |
Sir Arthur
Bliss |
Bliss Suite Fronthings To
Come |
RCA |
SRC |
7025 |
59 |
Schubert Rosamunde |
Monteux |
RCA |
SRC |
7026 |
59 |
Cavalleria Rusticana |
Excerpts |
RCA |
SRC |
7027 |
59 |
Not Traced |
|
RCA |
SRC |
7028 |
59 |
Boston Pops
Orchestra |
Espaņa
Rhapsody |
RCA |
SRC |
7029 |
59 |
Not Traced |
|
RCA |
SRC |
7030 |
59 |
Jussi Bjoerling |
Recital |
RCA |
SRC |
7031 |
59 |
Billy
Mure |
Supersonics In Flight |
RCA |
SRC |
7032 |
59 |
Harry Belafonte |
Belafonte At
Christmastide |
RCA |
SRC |
7033 |

68 |
Auntie Kathy & Uncle
Bruce |
Sing And Play Songs |
RCA BLUEBIRD |
BB |
1 |
68 |
Auntie Kathy & Uncle
Bruce |
The Pied Piper |
RCA BLUEBIRD |
BB |
2 |
68 |
Auntie Kathy & Uncle
Bruce |
Little Miss
Muffet |
RCA BLUEBIRD |
BB |
3 |
68 |
Auntie Kathy & Uncle
Bruce |
Rapunzel |
RCA BLUEBIRD |
BB |
4 |
68 |
Auntie Kathy & Uncle
Bruce |
Goldilocks And The Three
Bears |
RCA BLUEBIRD |
BB |
5 |
68 |
Auntie Kathy & Uncle
Bruce |
King Midas |
RCA BLUEBIRD |
BB |
6 |
68 |
Auntie Kathy & Uncle
Bruce |
London Bridge Is Falling Down
And Other Favourites |
RCA BLUEBIRD |
BB |
7 |
68 |
Auntie Kathy & Uncle
Bruce |
Snow White And The Seven
Dwarfs |
RCA BLUEBIRD |
BB |
8 |
68 |
Auntie Kathy & Uncle
Bruce |
Tom Thumb |
RCA BLUEBIRD |
BB |
9 |
68 |
Auntie Kathy & Uncle
Bruce |
Old Mother
Hubbard |
RCA BLUEBIRD |
BB |
10 |
69 |
Auntie Kathy & Uncle
Bruce |
Humpty Dumpty |
RCA BLUEBIRD |
BB |
11 |
69 |
Auntie Kathy & Uncle
Bruce |
Sing A Song Of
Sixpence |
RCA BLUEBIRD |
BB |
12 |
69 |
Auntie Kathy & Uncle
Bruce |
Cinderella |
RCA BLUEBIRD |
BB |
13 |
69 |
Auntie Kathy & Uncle
Bruce |
The Frog
Prince |
RCA BLUEBIRD |
BB |
14 |
69 |
Auntie Kathy & Uncle
Bruce |
The Brave Little
Taylor |
RCA BLUEBIRD |
BB |
15 |
69 |
Auntie Kathy & Uncle
Bruce |
The Bremen Town Musicians |
RCA BLUEBIRD |
BB |
16 |
69 |
Auntie Kathy & Uncle
Bruce |
The Willow Pattern
Story |
RCA BLUEBIRD |
BB |
17 |
69 |
Auntie Kathy & Uncle
Bruce |
The Brave Tin
Solider |
RCA BLUEBIRD |
BB |
18 |
69 |
Auntie Kathy & Uncle
Bruce |
Sinbad The
Sailor |
RCA BLUEBIRD |
BB |
19 |
69 |
Auntie Kathy & Uncle
Bruce |
Aladdin And His Wonderful
Lamp |
RCA BLUEBIRD |
BB |
20 |
69 |
Auntie Kathy & Uncle
Bruce |
All Things Bright And
Beautiful |
RCA BLUEBIRD |
BB |
21 |

THE RCA NUMBERING SYSTEM OF THE MID / LATE '70s
For those
among you who are interested in the vagaries of the 1974-76 RCA numbering
system, Music Master states that the first letter denoted the place of origin (A
= America, F = France, J = Japan, K = Canada, L = London, I = Italy); the second
letter indicated the label type (B = Grunt, F = LSA series, H = LSB series, P =
Victor, R = Red Seal, V = Victrola); the third showed the product type (B =
single, D = quadrophonic disc, K = Cassette, L = LP, S = Cartridge, T =
quadrophonic tape); and the figure referred to the number of units in the set (0
= 45 rpm single, 1 = one LP / cassette / cartridge, 2 = double LP / cassette /
cartridge, 3 = triple LP / cassette / cartridge). Thus it can be seen
that the APB0 numbers mentioned above belonged to American Victor singles
playing at 45 rpm; while the LPB0s were London Victor singles playing at 45
rpm. Anything prefixed JRD3 would be a quadraphonic Red Seal
triple-album set originating in Japan; etc, ad
infinitem.